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Australia’s Recorded Music Industry Posts 10.9% Growth For 2023

The country’s record market raised by 10.9% to A$ 676 million, powered by memberships to music streaming brand names.″ alt=”INXS” height width decoding=”async”/> < img src=""alt ="INXS"height width decoding ="async"/ >

INXS Photo credit: Philip Mortlock

For the 5th successive year, Australia’s documented music market published development in 2023– all thanks to streaming and Aussies’ love of wax.

According to wholesale information released by ARIA, the country’s record market raised by 10.9% to A$ 676 million ($442 million), powered by memberships to music streaming brand names.

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That rate of development for Australia, a leading 10 market, the IFPI validates in its newly-published International Music Reportremains in line with global patterns.

Spotify, Apple Music, YouTube Music, Tidal, and the complete slate of membership platforms now create 69% of the market’s overall worth, or $467.6 million ($305 million), up by 13.9% year-on-year, reports ARIA, the labels trade association.

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Reporting gains for 2023 is the area for ad-supported streaming designs, up 15.3% dive to $68.3 million ($44 million).

All digital items integrated, consisting of downloads and video streams, represent an amount upwards of A$ 616.1 million ($403 million), a 12% year-on-year lift. To put it simply, more than 90 cents in the record market’s dollar is created by digital.

Vinyl albums are a continuous sweet area, publishing gains of 14.1% to A$ 42.1 million ($27 million), an amount more than two times that of the diminishing market for CD albums (A$ 17 million or $11 million, down 16%), for years the record market’s diesel motor. The rate of development for vinyl, nevertheless, seems slowing.

A general strong market report is masking an issue that Australia’s music neighborhood is attempting frantically to break– how to break more homegrown in Australia and abroad?

Where the IFPI’s GMR is flush with case research studies on the success of Afrobeats, Latin music, K-pop, and smash hit acts from North America and the U.K., acts from the land Down Under aren’t taking the spotlight.

“While Australia stays the 10th biggest music market on the planet– and Aussies plainly enjoy music,” remarks ARIA CEO Annabelle Herd, “it stays more difficult than ever for our regional artists to reach these audiences.”

ARIA’s end-of-year charts “paint a clear image of this,” keeps in mind Herd, with just 4 Australian albums affecting the leading 100 for 2023, led by INXS’ strikes collectionThe Very Best(at No. 58), and 3 songs, none of which were launched throughout the reporting duration. The best-placed Australian artist on the year-end songs tally was The Kid Laroi with his 2021 Justin Bieber partnership, “Stay.”

“Achieving cut-through ends up being significantly challenging for artists as the development rate of membership and advertisement supported streaming designs continues to increase year on year,” keeps in mind Herd, “while almost all other development rates have actually reduced compared to 2022.”

The Albanese federal government listened to the market’s predicaments,

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